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What Was Contemporary Art


Author : Richard Meyer
language : en
Publisher: MIT Press
Release Date : 2013


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Meyer analyzes an undergraduate course taught by Alfred Barr at Wellesley College in 1927 as a key moment in the introduction of works by living artists into the discipline of art history, then turns to a series of exhibitions from the 1930s that put contemporary art in dialogue with premodern works ranging from prehistoric cave pictures to Italian Renaissance paintings. Meyer also treats the controversy that arose in 1948 over the decision by Boston's Institute of Modern Art to change its name to the Institute of Contemporary Art. By retrieving moments in the history of once-current art, Meyer redefines "the contemporary" as a condition of being alive to and alongside other moments, artists, and objects.

Defining Contemporary Art


Author : Daniel Birnbaum
language : en
Publisher: Phaidon Press
Release Date : 2011-11-07


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In the mid-1980s the sprouting of new movements that had driven modern art since the nineteenth century finally went dormant, sputtering out with a last few half-hearted lels ('pattern painting', 'neo-geo', 'commodity art'). But this was not the end of art history -- far from it. In the years since, art's creative development has remained more vibrant than ever, resulting in a staggering diversity of new forms. Defining Contemporary Art responds to this unique landscape with an innovative approach to art history. Assembled and written by eight of the most prominent curators working today, all of whom have both witnessed and shaped this period, Defining Contemporary Art tells the story of the two hundred pivotal artworks of the past twenty-five years. These artworks include not only the most talked out pieces but also the quietly influential works, those which may have been overlooked at the time of their making but which went on to change the paradigm of their era. Arranged year by year, these two hundred works provide a true chronological depiction of creativity in our era, forming a mosaic in which readers may find their own patterns..

The Unmaking Of Home In Contemporary Art


Author : Claudette Lauzon
language : en
Publisher: University of Toronto Press
Release Date : 2017-05-04


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Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging.

How To Write About Contemporary Art


Author : Gilda Williams
language : en
Publisher: Thames & Hudson
Release Date : 2014-10-14


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An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counseling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.

Contemporary Art A Very Short Introduction


Author : Julian Stallabrass
language : en
Publisher: Oxford University Press
Release Date : 2006-03-23


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Contemporary art is supposed to be a realm of freedom where artists shock, break taboos, and switch between confronting viewers with works of emotional profundity and jaw-dropping triviality. But away from shock tactics in the gallery, there are many unanswered questions. Who is really running the art world? What effect has America's growing political and cultural dominance had on art? Stallabrass takes us inside the art world to answer these and other controversial questions, and to argue that behind contemporary art's variety and apparent unpredictability lies a grim uniformity.

The Contemporary Art Book


Author : Charlotte Bonham-Carter
language : en
Publisher: Carlton Publishing Group
Release Date : 2016-10


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An updated edition of the acclaimed title, including new entries on artists such as Frank Bowling, Theaster Gates, and Tino Sehgal An extensive introductory guide to who s who in contemporary art, this book covers 200 of the most widely exhibited international artists, each entry illustrated with a key example of their work in color Includes masters such as Lucian Freud, Louise Bourgeois and Jasper Johns, whose work spans several generations; younger, well-known artists such as Matthew Barney, Damien Hirst and Tracey Emin; and covers the recent emergence of important artists from both East and WestThis accessible and beautifully produced guide explores both the rapid changes of recent years and their impact. Contemporary art was once considered inaccessible, elitist or even facile, but is now enjoyed by millions of gallery visitors every year.The Contemporary Art Book pinpoints the key events that have contributed to this change. Ambitious redevelopments and new constructions - such as London's Tate Modern, Centre Pompidou in Paris, Museo Guggenheim Bilbao, Kiasma in Helsinki and Kunst-Werke Berlin - have led to record numbers of visitors. Art collectors have also been influential, notably Charles Saatchi, whose vigorous promotion of the Young British Artists (or YBA) brought them celebrity status."

Contemporary Art And Classical Myth


Author : Jennie Hirsh
language : en
Publisher: Routledge
Release Date : 2017-07-05


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Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Al?s, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, Duane Hanson, Yayoi Kusama, Roy Lichtenstein, Kara Walker, and an iconic photograph by Richard Drew subsequently entitled The Falling Man.? Arranged so as to highlight both thematic and structural affinities, these essays manifest various aspects of the link between contemporary art and classical myth, while offering novel insights into the artists and myths under consideration. Some essays concentrate on single works as they relate to specific myths, while others take a broader approach, calling on myth as a means of grappling with dominant trends in contemporary art.