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History Of Italian Renaissance Art


Author : Frederick Hartt
language : en
Publisher: Prentice Hall Press
Release Date : 2002-11-01


Download History Of Italian Renaissance Art written by Frederick Hartt and has been published by Prentice Hall Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-11-01 with Art categories.


'History of Italian Renaissance Art' provides readers with an understanding of this pivotal period, incorporating research and current art historical thinking while also maintaining the integrity of the story that Frederick Hartt first told so enthusiastically many years ago. Choosing to retain Frederick Hartt's traditional framework, David Wilkins has introduced a number of changes. Newly added works of art demonstrate the diversity of the period. Secular pieces such as a cassone with its original framework largely intact, an early desco da parto made for the Medici family, two examples of majolica dinnerware, along with a new series of portraits of patrons and personalities of the period have been selected because they enrich our knowledge of the context within which these works were created. Other illustrations have been added to enhance our understanding of important Renaissance works. These include views of architecture and of large fresco cycles and sculptures that remain in situ. There is also a bibliography that provides a guide for further reading about artists and key topics.

A New History Of Italian Renaissance Art


Author : Stephen Campbell
language : en
Publisher:
Release Date : 2017-11


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Campbell and Cole, respected teachers and active researchers, draw on traditional and current scholarship to present complex interpretations in this new edition of their engaging account of Italian Renaissance art. The book's unique decade-by-decade structure is easy to follow, and permits the authors to tell the story of art not only in the great centres of Rome, Florence and Venice, but also in a range of other cities and sites throughout Italy, including more in this edition from Naples, Padua and Palermo. This approach allows the artworks to take centre-stage, in contrast to the book's competitors, which are organized by location or by artist. Other updates for this edition include an expanded first chapter on the Trecento, and a new 'Techniques and Materials' appendix that explains and illustrates all of the major art-making processes of the period. Richly illustrated with high-quality reproductions and new photography of recent restorations, it presents the classic canon of Renaissance painting and sculpture in full, while expanding the scope of conventional surveys by offering a more thorough coverage of architecture, decorative and domestic arts, and print media.

Italian Renaissance Art


Author : Stephen J. Campbell
language : en
Publisher:
Release Date : 2017


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A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.

Italian Renaissance Art


Author : Christiane L. Joost-Gaugier
language : en
Publisher: John Wiley & Sons
Release Date : 2013-03-04


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Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known

Women In Italian Renaissance Art


Author : Paola Tinagli
language : en
Publisher: Manchester University Press
Release Date : 1997-06-15


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This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.

Italian Renaissance Art


Author : Laurie Schneider Adams
language : en
Publisher: Routledge
Release Date : 2018-05-04


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Now thoroughly revised and updated throughout, featuring extended discussions of Mannerism and the expanding role of women in the visual arts and significant illustration program enhancements, Italian Renaissance Art is a readable, student-friendly, lavishly-illustrated introduction to one of the greatest periods of artistic genius in western history.Art historian Laurie Schneider Adams opens the text with the late Byzantine work of Cimabue and concludes with the transition to Mannerism. The author presents the most important and innovative artists and their principal works, with a clear emphasis on selectivity and understanding. Italian Renaissance Art also focuses on style and iconography, and on art and artists, incorporating different methodological approaches to create a wider understanding and appreciation of the art.Distinguishing features of the second edition include:More than 400 images throughout the work, with over 300 in full-color. Over 50 images were changed from black and white to full-color for this edition. Illustration program now includes works by Correggio, Bronzino, and Pontormo.Large format illustrations retained for readability and visual access by students. Design changes make the text more attractive and readable.?Connections,? with thumbnail images of earlier works, show the historical continuity of the images. ?Comparison? thumbnails have also been added for the purpose of comparing and contrasting later works with earlier ones.New treatment of Mannerism and the expanding role of women in the visual arts. Coverage includes Lavinia Fontana, Sofonisba Anguissola, and Properzia de' Rossi, and a new feature box discusses the role of Isabella d'Este as an influential art patron and humanist.Maps, plans, and diagrams included throughout. Also features a historical chronology, a full glossary of art-historical terms, and a select bibliography.

Art In Renaissance Italy 1350 1500


Author : Evelyn S. Welch
language : en
Publisher: Oxford Paperbacks
Release Date : 2000


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Between the `Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential and exciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.