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Introduzione A Aby Warburg


Author : Claudia Cieri Via
language : it
Publisher: Gius.Laterza & Figli Spa
Release Date : 2014-10-02T00:00:00+02:00


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Studioso di Botticelli, Ghirlandaio, Leonardo, Dürer e Rembrandt, ma anche di mitologia e astrologia, Aby Warburg (1866-1929) deve la sua fama all'istituto da lui fondato ad Amburgo e al suo eccentrico progetto Mnemosyne, l'Atlante della Memoria. Da qui si è configurata la sua storia delle immagini, definita una 'scienza senza nomi', che rompe con l'impostazione cronologica ed evolutiva della tradizione storiografica, per imporsi come sistema di pensiero depositato nella costruzione della sua Biblioteca, l'eredità più tangibile che lo studioso ha consegnato alla storia.

Introduzione Ad Aby Warburg E All Atlante Della Memoria


Author : Kurt Walter Forster
language : it
Publisher: Pearson Italia S.p.a.
Release Date : 2002


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Dreamscapes In Italian Cinema


Author : Francesco Pascuzzi
language : en
Publisher: Rowman & Littlefield
Release Date : 2015-01-21


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This book explores the oneiric in Italian cinema from filmic representations and visualizations of dreams, nightmares, hallucinations, and dream-like and hypnotic states, to dreams as cinematic allegories and metaphors and the theoretical frameworks applied to the investigation of this relationship.

Fear Reverence Terror


Author : Carlo Ginzburg
language : en
Publisher: Italian List
Release Date : 2017-07-15


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We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy!, scaring us, dazzling us. Fear, Reverence, Terror invites us to look at images slowly, with the help of a few examples: Picasso's Guernica, the "Lord Kitchener Wants You" First World War recruitment poster, David's Marat, the frontispiece of Thomas Hobbes's Leviathan, a cup of gilded silver with scenes from the conquest of the New World. Are these political images, Carlo Ginzburg asks? Yes, because every image is, in a sense, political--an instrument of power. Tacitus once wrote, unforgettably, that we are enslaved by lies of which we ourselves are the authors. Is it possible to break this bond? Fear, Reverence, Terror will answer this question. Praise for Ginzburg "Ginzburg has many claims to be considered the outstanding European historian of the generation which came of age in the late Sixties. Certainly few have equalled him in originality, variety, and audacity."--London Review of Books "Ginzburg's scholarship is dazzling and profound."--Publisher's Weekly

The Cabinet Of Eros


Author : Stephen John Campbell
language : en
Publisher: Yale University Press
Release Date : 2004


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The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d’Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genre--the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors.

Erneuerung Der Heidnischen Antike


Author : Aby Warburg
language : en
Publisher: Getty Publications
Release Date : 1999


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Bibliophile, scholar, founder of what would become the Warburg Institute, Aby Warburg (1866-1929) ranks as one of the most original and brilliant art historians of this century. Warburg looked beyond iconography to more psychological aspects of artistic creation, and in particular he contemplated the meaning of the re-use of ancient motifs. His scholarship--published in German in 1932 in two volumes encompassing all of his published essays along with manuscript notes in his working copies--has had a crucial influence on the work of twentieth-century art historians. Now, with the publication of this new translation of The Renewal of Pagan Antiquity, these seminal volumes are available in their entirety in English for the first time.

Aby Warburg


Author : Ernst Hans Gombrich
language : en
Publisher:
Release Date : 1986


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