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Low And High Style In Italian Renaissance Art


Author : Patricia Emison
language : en
Publisher: Routledge
Release Date : 2013-10-28


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First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Seeing High And Low


Author : Patricia Johnston
language : en
Publisher: Univ of California Press
Release Date : 2006-06-14


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'Seeing High & Low' offers a sweeping view of the evolution of visual culture in the US. Case studies explore the engagement of visual culture with social controversy, including how the concepts of 'high' and 'low' art have developed.

The Controversy Of Renaissance Art


Author : Alexander Nagel
language : en
Publisher: University of Chicago Press
Release Date : 2011-09-01


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Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. --

Renaissance Theory


Author : James Elkins
language : en
Publisher: Routledge
Release Date : 2008-04-01


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Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism? The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.

The Italian Renaissance And Cultural Memory


Author : Patricia Emison
language : en
Publisher: Cambridge University Press
Release Date : 2011-10-31


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Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance - from 1300 to 1600 - synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style's self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists - Leonardo, Michelangelo, and Raphael - and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism.

Creating The Divine Artist


Author : Patricia A. Emison
language : en
Publisher: BRILL
Release Date : 2004


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An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.

The Faun In The Garden


Author :
language : en
Publisher: Penn State Press
Release Date : 1994


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