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Art In America 1945 1970 Writings From The Age Of Abstract Expressionism Pop A


Author : Various
language : en
Publisher: Library of America
Release Date : 2014-10-09


Download Art In America 1945 1970 Writings From The Age Of Abstract Expressionism Pop A written by Various and has been published by Library of America this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-09 with Art categories.


Experience the creative explosion that transformed American art, in the words of the artists, writers, and critics who were there: In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor Jed Perl, “there has never been a period when the visual arts have been written about with more mongrel energy—with more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy.” Perl has gathered the best of this writing together for the first time, interwoven with fascinating headnotes that establish the historical background, the outsized personalities of the artists and critics, and the nature of the aesthetic battles that defined the era. Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol, James Agee on Helen Levitt, James Baldwin on Beauford Delaney, Truman Capote on Richard Avedon, Tennessee Williams on Hans Hofmann, Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure.

Abstract Expressionism For Beginners


Author : Richard Klin
language : en
Publisher: Red Wheel/Weiser
Release Date : 2016-08-09


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Abstract Expressionism was the defining movement in American art during the years following World War II, making New York City the center of the international art scene. But what the heck did it mean! The drips, the spills, the splashes, the blotches of color, the wild spontaneous energy—signifying what? Abstract Expressionism For Beginners will not only help you understand, but also appreciate the art of some of the most iconic figures in modern art—Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler, and others. Explore their lives and artistic roots, the heady world of Greenwich Village in the 1940s and 1950s, the influence of jazz, the voices of critics, and the enduring legacy of a uniquely inspired group of artists.

Art And Social Change


Author : Klare Scarborough
language : en
Publisher: Lulu.com
Release Date : 2015-10-01


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Bruce Conner


Author : Rudolf Frieling
language : en
Publisher: Univ of California Press
Release Date : 2016-07-04


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"This book is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Bruce Conner: It's All True, co-curated by Stuart Comer, Rudolf Frieling, Gary Garrels, and Laura Hoptman, with Rachel Federman"--Colophon.

President Lincoln Assassinated The Firsthand Story Of The Murder Manhunt Tr


Author :
language : en
Publisher: Library of America
Release Date : 2015-02-24


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For the 150th anniversary, Harold Holzer (The Civil War in 150 Objects) presents an unprecedented firsthand chronicle of one of the most pivotal moments in American history. On April 14, 1865, Good Friday, the Civil War claimed its ultimate sacrifice. President Lincoln Assassinated!! recaptures the dramatic immediacy of Lincoln’s assassination, the hunt for the conspirators and their military trial, and the nation’s mourning for the martyred president. The fateful story is told in more than eighty original documents—eyewitness reports, medical records, trial transcripts, newspaper articles, speeches, letters, diary entries, and poems—by more than seventy-five participants and observers, including the assassin John Wilkes Booth and Boston Corbett, the soldier who shot him. Courtroom testimony exposes the intricacies of the plot to kill the president; eulogies by Ralph Waldo Emerson, Wendell Phillips, and Benjamin Disraeli and poetry by Walt Whitman, Herman Melville and Julia Ward Howe give eloquent voice to grief; two emotional speeches by Frederick Douglass—one of them never before published—reveal his evolving perspective on Lincoln’s legacy. Together these voices combine to reveal the full panorama of one the most shocking and tragic events in our history.

The Painted Word


Author : Tom Wolfe
language : en
Publisher: Farrar, Straus and Giroux
Release Date : 2008-10-14


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"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).

Music Chronicles 1940 1954


Author : Virgil Thomson
language : en
Publisher:
Release Date : 2014-10-16


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When, in October 1940, the New York Herald Tribune named the composer Virgil Thomson (1896-1989) its chief music critic, the management of the paper braced itself for an uproar. Perhaps best known for his collaboration with librettist Gertrude Stein on the whimsically nonsensical "anti-opera" Four Saints in Three Acts, Thomson was notorious among conservative concertgoers as a leader of America's musical avant-garde and a maverick writer who delighted in unmasking the timidity, amateurism, and artistic pretensions of New York's music establishment. But controversy--together with wit, good writing, and critical authority--was exactly what the Herald Tribune was looking for. "Only such an assumption can explain," Thomson later concluded, "why a musician so little schooled in daily journalism, a composer so committed to the modern, and a polemicist so contemptuous as myself of music's power structure should have been offered a post of that prestige." in Virgil Thomson the Herald Tribune got its full share of controversy. It also got something American music journalism had not had before and has rarely had since: a critic who could describe from experience the sounds he hears, the presence and temperaments of the musician producing them, and the urgent matters of art, culture, tradition, talent, and taste that a musician's performance embodies, all in a signature style that charmed a wide readership. "Thomson was open to every stylistic persuasion," John Rockwell of The New York Times has written, and he "concerned himself with music that most music critics didn't consider music at all--jazz, folk, gospel. ... He wrote with enthusiasm and perception about the new music he liked, sweeping his readers along with him. By so doing, he built bridges--long dilapidated or never constructed--between music, the other arts, and the American intellectual community. Indeed, in his music and in his prose, he has given us as profound a vision of American culture as anyone has yet achieved." Music Chronicles 1940-1954 presents the best of Thomson's newspaper criticism as the author collected it in four books long out of print: The Musical Scene (1945), The Art of Judging Music (1948), Music Right and Left (1951), and Music Reviewed (1967). The volume is rounded out by a generous selection of other writings from the Herald Tribune years and, in an appendix, eight early essays in which Thomson announced the themes and developed the voice that would distinguish him as America's indispensable composer-critic.--