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Bauhaus Modernism And The Illustrated Book


Author : Alan Bartram
language : en
Publisher:
Release Date : 2004-03


Download Bauhaus Modernism And The Illustrated Book written by Alan Bartram and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-03 with Art categories.


Alan Bartram explores the influence of the Bauhaus and modernism on typography and book design by examining the work of such key figures as Max Bill and Paul Rand. All of the carefully chosen examples clearly demonstrate the modernist revolution that took place in graphic design from the early 1900s onwards.

The Bauhaus Ideal Then And Now


Author : William Smock
language : en
Publisher: Chicago Review Press
Release Date : 2009-06-01


Download The Bauhaus Ideal Then And Now written by William Smock and has been published by Chicago Review Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-06-01 with Architecture categories.


The Bauhaus Ideal is both a picture book and a guidebook to the fascinating and enduring legacy of modernist design, and to the continuing influence of Bauhaus on interior design—not just on architecture, but also on furniture, glassware, tableware, and kitchen utensils: the whole range of domestic arts. This unique volume introduces modern design principles and examines them from an historically critical perspective. It concludes with some ideas for melding modern solemnity with postmodern irony. And in each phase the illustrations speak as eloquently as the text—the whole serves as a beautifully illustrated design memo.

Luxury And Modernism


Author : Robin Schuldenfrei
language : en
Publisher: Princeton University Press
Release Date : 2018-06-05


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This beautifully illustrated book provides a new interpretation of modern architecture and design in Germany during the heyday of the Bauhaus and the Werkbund, tracing modernism's lasting allure to its many manifestations of luxury. Robin Schuldenfrei casts the work of legendary figures such as Peter Behrens, Walter Gropius, and Ludwig Mies van der Rohe in an entirely different light, revealing the complexities and contradictions inherent to modernism's promotion and consumption. Luxury and Modernism shows how luxury was present in bold, literal forms in modern designs--from lavish materials and costly technologies to deluxe buildings and household objects—and in subtler ways as well, such as social milieus and modes of living. While modernism was publicized as a fusion of technology, new materials, and rational aesthetics to improve the lives of ordinary people, it was often out of reach to the very masses it purportedly served. Schuldenfrei exposes the disconnect between modernism's utopian discourse and its luxury objects and elite architectural commissions. Despite the movement's egalitarian rhetoric, many modern designs addressed the desires of the privileged individual. Yet as Schuldenfrei demonstrates, luxury was integral not only to how modern buildings and objects were designed, manufactured, and sold, but has contributed to modernism's appeal to this day. Featuring stunning color images throughout, Luxury and Modernism provides an entirely new look at one of the most celebrated and influential eras in the history of architecture.

Albers And Moholy Nagy


Author : Achim Borchardt-Hume
language : en
Publisher: Yale University Press
Release Date : 2006


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Catalog of an exhibtion held at the Tate Modern, London, Mar. 9-June 4, 2006, the Kunsthalle Bielefeld, June 25-Oct. 1, 2006, and the Whitney Museum of American Art, New York, Nov. 2, 2006-Jan. 21, 2007.

Futurist Typography And The Liberated Text


Author : Alan Bartram
language : en
Publisher: Yale University Press
Release Date : 2005


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In the early decades of the twentieth century, European artists, poets, and designers called for the destruction of outdated assumptions about vision and language. Numerous manifestos resulted, demanding new artistic forms. None of these manifestos was more aggressive and poetic, or wider in scope than Filippo Tomasso Marinetti’s Futurist Manifesto of 1909. Painting, sculpture, literature, architecture, theatre, cinema, and music were all caught up in its net. Typography—until then a distant relative in the arts—also played a major role in Marinetti’s program. Written by leading design scholar Alan Bartram, this fascinating book examines the rise and evolution of the Futurists’ approach to typography and graphic design, placing it within the context of contemporary artistic and literary movements. The volume features examples of some eighty Futurist books or other designs for print, many of them relatively unknown or previously unpublished, accompanied by new translations of over twenty of the featured texts. Bartram illuminates the complicated meanings of the Futurist designers’ graphic works in order to provide a new understanding of their extraordinary and influential visual language.

Bauhaus 1919 1933


Author : Barry Bergdoll
language : en
Publisher: The Museum of Modern Art
Release Date : 2009


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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. Bauhaus 19191933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th centurys most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture many of which have rarely if ever been seen outside of Germany. Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibitions curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.

Bauhaus Tel Aviv


Author : Nahoum Cohen
language : en
Publisher: Batsford
Release Date : 2003-01-23


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Israeli architecture was and is still influenced by the International Style, and specifically by the Bauhaus school, with some local modifications. The Bauhaus approach to design began permeating into what was then Palestine under the British Mandate, and developed quickly and strongly in the emerging state of Israel. The International Style was introduced into the country by young architects, many of German extraction, some of whom had trained or taught at the Bauhaus, most of whom came with their families to escape Nazism. Others came from Russia and Poland, competing their studies in Europe, absorbing the then emerging ideas of the International Style. The will to build a new society, uninfluenced by older European traditions caught on readily, and the simple forms of the Bauhaus were applied. Tel Aviv contains up to 1000 buildings in the Bauhaus idiom, designed using simple geometry, usually inexpensive buildings on small, regular parcels of land. The technology was simple; using plastered and stuccoed block and concrete construction in a country lacking the elaboration of more traditional and expensive materials. This book describes a heritage that is only now being conserved and appreciated.