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Cultural Contact And The Making Of European Art Since The Age Of Exploration


Author : Mary D. Sheriff
language : en
Publisher: Univ of North Carolina Press
Release Date : 2010-06-21


Download Cultural Contact And The Making Of European Art Since The Age Of Exploration written by Mary D. Sheriff and has been published by Univ of North Carolina Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-21 with Art categories.


Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century. Essays here analyze distinct zones of contact--between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific--focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrounds the centrality of international borrowings or colonial appropriations and counters conceptions of European art as a "pure" tradition uninfluenced by the artistic forms of other cultures. The contributors analyze the social, cultural, commercial, and political conditions of cultural contact--including tourism, colonialism, religious pilgrimage, trade missions, and scientific voyages--that enabled these exchanges well before the modern age of globalization. Contributors: Claire Farago, University of Colorado at Boulder Elisabeth A. Fraser, University of South Florida Julie Hochstrasser, University of Iowa Christopher Johns, Vanderbilt University Carol Mavor, University of North Carolina at Chapel Hill Mary D. Sheriff, University of North Carolina at Chapel Hill Lyneise E. Williams, University of North Carolina at Chapel Hill

The Exceptional Woman


Author : Mary D. Sheriff
language : en
Publisher: University of Chicago Press
Release Date : 1997-10-24


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Elisabeth Vigée-Lebrun (1755-1842) was an enormously successful painter, a favorite portraitist of Marie-Antoinette, and one of the few women accepted into the Royal Academy of Painting and Sculpture. In accounts of her role as an artist, she was simultaneously flattered as a charming woman and vilified as monstrously unfeminine. In The Exceptional Woman, Mary D. Sheriff uses Vigée-Lebrun's career to explore the contradictory position of "woman-artist" in the moral, philosophical, professional, and medical debates about women in eighteenth-century France. Paying particular attention to painted and textual self-portraits, Sheriff shows how Vigée-Lebrun's images and memoirs undermined the assumptions about "woman" and the strictures imposed on women. Engaging ancien-régime philosophy, as well as modern feminism, psychoanalysis, literary theory, and art criticism, Sheriff's interpretations of Vigée-Lebrun's paintings challenge us to rethink the work and the world of this controversial woman artist.

The Globalization Of Renaissance Art


Author : Daniel Savoy
language : en
Publisher: BRILL
Release Date : 2017-12-14


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Global genealogies -- Beyond Eurocentrism -- A borderless Renaissance -- Instituting the global

Reinterpreting Exploration


Author : Dane Keith Kennedy
language : en
Publisher: Oxford University Press on Demand
Release Date : 2014


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Exploration was a central and perhaps defining aspect of the West's encounters with other peoples and lands. Rather than reproduce celebratory narratives of individual heroism and national glory, this volume focuses on exploration's instrumental role in shaping a European sense of exceptionalism and its iconic importance in defining the terms of cultural engagement with other peoples. In chapters offering broad geographic range, the contributors address many of the key themes of recent research on exploration, including exploration's contribution to European imperial expansion, Western scientific knowledge, Enlightenment ideas and practices, and metropolitan print culture. They reassess indigenous peoples' responses upon first contacts with European explorers, their involvement as intermediaries in the operations of expeditions, and the complications that their prior knowledge posed for European claims of discovery. Underscoring that exploration must be seen as a process of mediation between representation and reality, this book provides a fresh and accessible introduction to the ongoing reinterpretation of exploration's role in the making of the modern world.

Seeing Across Cultures In The Early Modern World


Author : Dana Leibsohn
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2012


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What were the possibilities and limits of vision in the early modern world? Drawing upon experiences forged in Europe, Asia, Africa and the Americas, Seeing Across Cultures shows how distinctive ways of habituating the eyes in the early modern period had profound implications-in the realm of politics, daily practice and the imaginary. Beyond their interest in visual culture, the essays here expand our understanding of transcultural encounters and the history of vision.

Mythology And Diplomacy In The Age Of Exploration


Author : Adam Knobler
language : en
Publisher: BRILL
Release Date : 2016-12-15


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In this work, Adam Knobler demonstrates the intimate connection between medieval mythologies of the non-Western world, and early modern European imperial expansion to Africa, Asia and the Americas.

Craft Community And The Material Culture Of Place And Politics 19th 20th Century


Author : Dr Beverly Lemire
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2014-02-28


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With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls’ Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.