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Introduzione A Aby Warburg


Author : Claudia Cieri Via
language : it
Publisher: Gius.Laterza & Figli Spa
Release Date : 2014-10-02T00:00:00+02:00


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Studioso di Botticelli, Ghirlandaio, Leonardo, Dürer e Rembrandt, ma anche di mitologia e astrologia, Aby Warburg (1866-1929) deve la sua fama all'istituto da lui fondato ad Amburgo e al suo eccentrico progetto Mnemosyne, l'Atlante della Memoria. Da qui si è configurata la sua storia delle immagini, definita una 'scienza senza nomi', che rompe con l'impostazione cronologica ed evolutiva della tradizione storiografica, per imporsi come sistema di pensiero depositato nella costruzione della sua Biblioteca, l'eredità più tangibile che lo studioso ha consegnato alla storia.

Introduzione Ad Aby Warburg E All Atlante Della Memoria


Author : Kurt Walter Forster
language : it
Publisher: Pearson Italia S.p.a.
Release Date : 2002


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Dreamscapes In Italian Cinema


Author : Francesco Pascuzzi
language : en
Publisher: Rowman & Littlefield
Release Date : 2015-01-21


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This book explores the oneiric in Italian cinema from filmic representations and visualizations of dreams, nightmares, hallucinations, and dream-like and hypnotic states, to dreams as cinematic allegories and metaphors and the theoretical frameworks applied to the investigation of this relationship.

The Cabinet Of Eros


Author : Stephen John Campbell
language : en
Publisher: Yale University Press
Release Date : 2004


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The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d’Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genre--the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors.

Atlas Or The Anxious Gay Science


Author : Georges Didi-Huberman
language : en
Publisher: University of Chicago Press
Release Date : 2018-10-11


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Aby Warburg’s Mnemosyne Atlas (1925–1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg’s allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion. In this illustrated exploration of Warburg and his great work, Georges Didi-Huberman leaps from Mnemosyne Atlas into a set of musings on the relation between suffering and knowledge in Western thought, and on the creative results of associative thinking. Deploying writing that delights in dramatic jump cuts reminiscent of Warburg’s idiosyncratic juxtapositions, and drawing on a set of sources that ranges from ancient Babylon to Walter Benjamin, Atlas, or the Anxious Gay Science is rich in Didi-Huberman’s trademark combination of elan and insight.

An Introduction To Iconography


Author : Roelof van Straten
language : en
Publisher: Routledge
Release Date : 1994


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First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Mnemosyne


Author : Italo Spinelli
language : it
Publisher:
Release Date : 1998


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