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Author : Paola Rossi
language : it
Release Date : 1996
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Author : Narim Bender
language : en
Publisher: Osmora Incorporated
Release Date : 2015-05-14
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Tintoretto (real name Jacopo Comin) was an Italian painter and a notable exponent of the Renaissance school. For his phenomenal energy in painting he was termed Il Furioso. His work is characterized by its muscular figures, dramatic gestures, and bold use of perspective in the Mannerist style, while maintaining color and light typical of the Venetian School. He is said to have trained very briefly with Titian, but the style of his immature works suggests that he may also have studied with Bonifacio Veronese, Paris Bordone, or Schiavone. Almost all of his life was spent in Venice and most of his work is still in the churches or other buildings for which it was painted. He appears to have been unpopular because he was unscrupulous in procuring commissions and ready to undercut his competitors. Tintoretto used to make small wax models which he arranged on a stage and experimented on with spotlights for effects of light and shade and composition. He was a formidable draughtsman and, according to Ridolfi, he had inscribed on his studio wall the motto 'The drawing of Michelangelo and the color of Titian'. However, he was very different in spirit from either of his avowed models, more emotive, using vivid exaggerations of light and movement. His drawings are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian's.
Author : Roland Krischel
language : en
Release Date : 2000
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This text is an extensive body of work which is strongly rooted in the history, social structure, and cityscape of the birthplace of Jacopo Tintoretto.
Author : Thomas Nichols
language : en
Publisher: Oxford University Press
Release Date : 2016-04-01
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Jacopo Tintoretto was the most prolific painter working in Venice in the later 16th century. Though his early career was marked by the struggle to achieve recognition, in his mature years he worked extensively on decorations for the Doge's Palace and for the meeting-house of the Scuola Grande di S Rocco. In addition to his religious and mythological works, Jacopo also painted many portraits of prominent Venetians. His swift, abbreviated style was, however, never wholly accepted by the leading aristocratic families that dominated Venetian cultural life and, despite a long and busy career, Jacopo Tintoretto apparently never became rich. This fully illustrated Grove Art Essentials title introduces Tintoretto's life and work, the development of his style, and his critical reception, and it includes an extensive bibliography to jumpstart further study of this remarkable Renaissance painter.
Author : Tom Nichols
language : en
Publisher: Reaktion Books
Release Date : 2002-03-27
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The Venetian painter Jacopo Tintoretto (1518–94) is an ambiguous figure in the history of art. Critics and writers such as Vasari, Ruskin and Sartre all placed him in opposition to the established artistic practice of his time, noting that he had abandoned the values that typified the venerable Venetian Renaissance tradition, even being expelled as an apprentice from the workshop of Titian. This generously illustrated book offers a long-overdue re-evaluation of Tintoretto. Tom Nichols charts the artist's life and work in the context of Venetian art and the culture of the Cinquecento. He shows how the artist created a new manner of painting, which for all its originality and sophistication made its first appeal to the shared emotions of the widest-possible viewing audience. The book deals extensively with Tintoretto's greatest works, including the paintings at the Scuola di San Rocco in Venice.
Author : Miguel Falomir
language : en
Publisher: Brepols Pub
Release Date : 2009
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Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic - Augusto Gentili, Tintoretto in contesto tra politica e religion - Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto's Crucifixion for SS. Cosma e Damiano - Tom Nichols, False Gods: Tintoretto's Mythologies as Anti-poesie - Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de' Pitati - Roland Krischel, Jacopo Tintoretto and Giulio Romano - Miguel Falomir, Tintoretto y Tiziano - David Rosand, Tintoretto and Veronese: Style, Personality, Class - Jose Alvarez Lopera, Sobre Tintoretto y el Greco - Stefania Mason, Domenico Tintoretto e l'eredita della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements - Ana Gonzalez Mozo, El concepto de dibujo en Jacopo Tintoretto: analisis de los recursos tecnicos utilizados en algunos cuadros del Museo Nacional del Prado - Robert Wald, Tintoretto's Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra eta. Tintoretto's Preposterous Modernity - Almuneda Perez de Tuleda, Coleccionismo de Tintoretto en Espana en torno a 1600 - Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento - Leticia de Frutos, Tintoretto en las colecciones del marques del Carpio y del Almirante de Castilla.
Author : Francesco Valcanover
language : en
Release Date : 1983
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